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Prasoon Joshi-led CBFC suggests new initiatives

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Mumbai, Sep 25: The Central Board of Film Certification (CBFC), chaired by Prasoon Joshi, has suggested new initiatives such as to invite the heads and members of Hindi and regional film associations, and a communication campaign for educating audience segments about the various categories that film content is certified under.

A CBFC board meeting was held here last week under Prasoon’s guidance.

Initiatives for the film industry include the first-of-its-kind step to invite the heads and members of the Hindi and regional film associations like those from the Indian Motion Pictures Producers’ Association, Indian Film and Television Producers Council and South Indian Film Chamber of Commerce to work mutually towards a more efficient and responsible certification process.

Prasoon also had other new initiatives to share like developing a new design of the CBFC certificate keeping in mind the requirements of QR code, prominent display of category code and a guidance video to be prepared for the new and upcoming filmmakers and production houses explaining the online certification process in a simple manner.

He has also proposed a communication campaign for educating audience segments about the various categories that the film’s content is certified under, so that they can decode the film certificates and make an informed choice for themselves and especially children.

“I have been working with the board members and CBFC officials for the last one year for making sure that we make the entire film certification process a smooth one,” Prasoon said in a statement.

“We have taken an initiative to have the interactions with key industry bodies with the CBFC board which in my opinion will go a long way in further streamlining processes.”

Siddharth Roy Kapur, President of the Film and Television Producers’ Guild of India, said: “This was a wonderful initiative by Prasoon Joshi and CBFC board members to solicit feedback and suggestions from the industry. We discussed issues and solutions in an open and cordial fashion and I hope this becomes a regular occurrence.”

Suparn Sen, the secretary of the Film Federation of India, found the film industry’s interaction with the board “very meaningful”.

CBFC board member Vani Tripathi Tikoo called it one of the “monumental meetings of CBFC with a serious focus on outreach for the industry”.

Prasoon had replaced Pahlaj Nihalani, who was slammed by many for being too “sanskari”, as the CBFC chief in August last year. Many filmmakers had locked horns with CBFC over its demands for cuts, mutes and changes.

He had earlier said it’s time to move to “content from controversy”.

“It should be more about the content that drives a film. Why should CBFC be used for a controversy? It is an organisation that consists of people like any other organisation, so why should we be unfair to people who work in CBFC and completely unappreciate the efforts?” he had asked.

IANS

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Varun, Katrina to appear together in ‘Koffee with Karan’

Karan also took to Instagram on Thursday to share photographs from the shoot.

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Photo Crideit : Twitter (Karan Johar)

Mumbai, Oct 18 : Actors Varun Dhawan and Katrina Kaif will bring in some fun to the forthcoming season of ‘Koffee with Karan’ with their appearance.

The sixth season, hosted by filmmaker Karan Johar, will premiere on Star World on October 21.

Karan also took to Instagram on Thursday to share photographs from the shoot.

“So much fun in the koffee house today!! A riot of a combination with some great conversation,” Karan shared with the image.

His chat show is hugely popular as he gets his celebrity friends and fraternity members to open up about their lives in an up, close and personal way.

Tag : #KoffeeWithKaran

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MeToo allegations against Anu Malik false, baseless: Lawyer

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Mumbai, Oct 18: Singer Anu Malik has denied allegations that he sexually harassed singer Shweta Pandit, who has called him a “pedophile” and “sexual predator”.

“The allegations made against my client are emphatically denied as completely false and baseless. My client respects the #MeToo movement but to use this movement to start a character assassination mission is obnoxious,” Malik’s lawyer Zulfiquar Memon told IANS.

Pandit, in a Twitter post, recounted her ordeal with Malik in an incident dating back to 2000. She claims once in a cabin at a studio, he told her he would give her a song with Sunidhi Chauhan and Shaan “but first give me a kiss now”.

“He then smiled, what I would recall the most evil grin I’ve seen,” Pandit said of the incident when she was all of 15 years old.

Before Shweta, singer Sona Mohapatra called out Malik.

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To all the young girls & women who are coming out with their experiences with this creep, journalists, ‘fans’ & even kids from college, know that you are not alone. This guy, #KailashKher is a serial predator & has been for years as are many others like Anu Malik in the industry. I cannot be tweeting about everyone cus I work 18 hour work days & have a life to live & breathe in. Also I cannot comment on many others basis heresay. That would be unfair. (Many journalists have been asking me for stories thinking that I’m most likely to ‘spill the beans’. I’m not) It is important that we stick to facts & our personal experiences to make this a serious & credible movement to help clean a system & lopsided power structure. It is just a start but an important one. #TimesUp #India #Change

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IANS

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‘Namaste England’ Review: Arjun-Parineeti’s film is outdated and cliched

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New Delhi, Oct 18: Film: “Namaste England”

Director: Vipul Amrutlal Shah

Cast: Arjun Kapoor, Parineeti Chopra, Aditya Seal, Alankrita Sahay, Satish Kaushik

Rating: *1/2

Designed from a sloppily crafted script sans any logic delivering an equally tactless message, and steeped in mediocrity, Vipul Amrutlal Shah’s “Namaste England”, is a big disappointment.

It is about “the freedom of making one’s choices”.

“Namaste England” is a forced concept, where a married couple separate due to their own whims and fancy only to reunite later after realisation dawns on them.

Jasmeet (Parineeti Chopra) comes from a very regressive family, where women are not supposed to work, but are only meant for giving birth and taking care of children.

So when Paramveer (Arjun Kapoor) falls hook line and sinker for Jasmeet, she makes him promise to let her follow her dreams and work as a jewellery designer. He agrees with a caveat, “If the decision is solely mine, then yes.”

And their love story begins with Paramveer asking, “Jasmeetji, hamare ishq ka inauguration karen ji?” This is a definite lazy way of unravelling a love story.

But sadly for the couple, their romance is eclipsed when Jasmeet’s grandfather makes Paramveer’s father promise that they will not make his granddaughter work.

Burdened with this promise, Jasmeet, hits upon the idea of migrating to England, where she can then pursue her work.

The plot meanders on a frothy pace and right from visa to illegal immigration, issues are tackled in a rather half-hearted manner. The dialogues are equally average, run-of-the-mill.

The characters are frivolous, cardboard thin and rationality to their behaviour zilch. While Arjun and Parineeti are competent actors, their performances are juvenile. You squirm in your seat with every passing moment you see them on screen.

Aditya Seal as Sam, Jasmeet’s husband of convenience in England is short-changed as a stereotypical supporting cast. So is Alankrita Sahay as Alisha, Param’s love-interest in England.

Satish Kaushik as the visa taut, Gurnaam, does not enhance his character and thus is an eyesore. Vinod Nagpal as Sam’s grandfather is wasted in a two scene role.

Mounted with ace production values, the film seems glossy and vibrant, but this is strictly visual only. The songs are seamlessly integrated into the plot and are well-choreographed but they do not add value to the story progression.

Those expecting to see the beauty of England would be disappointed.

Overall, the narrative is slow with sensibilities of the late 1990s.

IANS

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