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How the dead ship in ‘Bhoot’ came alive on screen



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Mumbai, Vicky Kaushal’s “Bhoot Part One: The Haunted Ship” brings horror back on the Bollywood screen, and the overall production design of the film aimed at delivering a sense of unease and fear.

“The most challenging and exciting aspect of ‘Bhoot’ was the ship. So getting the ship to look and feel authentic was The key,” production head Aditya Kanwar told IANS.

“We spent a lot of time on research, referencing and scouting real ships to get the right vibe. Anybody who hasn’t worked or been on a cargo ship does not know what it’s like to experience the enormous size and the claustrophobia. I wanted everyone who saw this film to actually feel like they are present and trapped there,” he added.

The production head for the film elaborated: “We were very careful in how we designed the interiors of the cargo ship. Keeping it as real as possible while being shooting friendly as well. The overall production design for ‘Bhoot’ had to deliver a sense of unease and fear throughout the film.

So as the designer, I had to even start looking at a regular space, for example a home or an office, from that perspective. One way to do that is by creating a colour palette which would set the mood for the scene you are shooting. Even though the scene didn’t necessarily have a scare, but the underlying feeling of fear had to always be present.”

The outcome, he said was satisfactory. “Eventually, the best feeling is when your director, actor and the crew walk into the set and love it. I remember Vicky saying ‘Bhai kya set banaya hai!’ The director Bhanu Pratap Singh couldn’t believe the size of the entire thing!”

In the horror film, Vicky plays a bereaved shipping officer. The film also features Bhumi Pednekar in a special role. The story revolves around an abandoned ship named Sea Bird that lies abandoned along the coast. The film is directed by Bhanu Pratap Singh and produced by Dharma Productions.

Talking about the production process of “Bhoot Part One: The Haunted Ship”, Kanwar said: “The process for this film was different from the get-go. It wasn’t something I have done before. Authentic horror is a genre every production designer would dream of working on.”

“Firstly, the vision for the film has to be absolutely clear for all the departments. If I am designing a part of the ship I need to know how will the sound and lighting play a role in creating the fear — simple things like maybe by adding a steady drip of water from the ceiling. Similarly, we had to figure out how to bring light into the interiors of a dead ship but not too much of light! Keeping all of these factors in mind the process was very satisfying creatively.”

Kanwar continued: “Usually as a designer I understand what the characters are like, what their back stories are, what are their influences in life to be able to create the world they live in.

On ‘Bhoot’, apart from doing this, we also had to look at the larger picture of how to generate fear in the audience by showing an ordinary corridor or an empty room. The approach has to be different because one of the main characters in the film is actually the cargo ship.

We spent a considerable amount of time on cargo ships to experience what it feels like. If you ever get the chance to witness a dead ship from the inside, it’s quite an experience. It’s actually very scary. It’s pitch black inside as there is no power and no working lights and the sounds are very creepy!”

Kanwar points out the importance of looking for real locations while working on a film. He said: “I actually prefer to shoot on real locations. Real locations bring a flavour and character that sets sometimes cannot bring to the screen. However, the balance of knowing what needs to be a set as opposed to a real location is at times a very thin line.

For a film like ‘Bhoot’, the homes and offices we used were all real locations. When it comes to something like the ship it was a balance of both set build and the real ship. To show the grand scale of the ship we did actually go and shoot on an actual cargo ship for the exteriors. Some parts of the interiors were also shot on the real ship. This was very difficult though.”

“The interiors are so cramped there is barely any space for the camera let alone the actors also, getting the crew on and off the ship itself was a task and a logistical nightmare.”


Singer Kanika Kapoor is finally corona negative



Lucknow, April 5 Bollywood singer Kanika Kapoor, who tested positive for Coronavirus after returning to India from London, has finally tested negative for the deadly virus in her sixth test.

“Her reports are now negative but we will wait for one more test before she is allowed to go home, said Prof R.K. Dhiman, director of the Sanjay Gandhi Postgraduate Institute of Medical Sciences (SGPGI) in Lucknow where she is undergoing treatment.

If her second test is also negative, Kanika may be allowed to go home this week.

Kanika’s troubles, however, are likely to increase after she is discharged from hospital.

Three FIRs have been filed against Kanika on charges of negligence for attending various social events in the city despite being infected with coronavirus and having been instructed by the authorities to isolate herself at her home.

She has been booked under Sections 188, 269, and 270 of the Indian Penal Code (IPC) at Sarojini Nagar police station in the city.

The FIR was lodged based on a complaint filed by the chief medical officer (CMO) of Lucknow.

She is the first Bollywood celebrity to test positive for the deadly virus in the country.

In a statement on Instagram, which she later deleted, Kanika narrated how she developed signs of flu on her return from London. She claimed that she was unaware of the Corona infection till she tested positive.

The singer who had come from London on March 9 was slammed by the media for interacting with hundreds of people at parties and other events in Lucknow.

She was admitted on March 20 when her tests revealed that she was Corona positive.

Her five consecutive reports showed her as Corona positive.

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COVID-19 lockdown: Salman Khan deposits money into accounts of ‘Radhe’ crew




salman khan

Mumbai, April 4 (IANS) Despite shoot being stalled owing to the pan-India lockdown, Bollywood superstar Salman Khan has deposited money into the bank accounts of the crew of his forthcoming movie “Radhe: Your Most Wanted Bhai”.

Money has been deposited into the accounts of all workers who were supposed to be part of the unit between March 26 and April 2.

Confirming the news, makeup artist Subhash Kapoor told news portal Spotboye: “What a great thing to do. I thank Salman sir from the bottom of my heart. Times are so tough.”

Salman’s gesture follows his decision to extend help to 25,000-odd daily wage workers of the film industry whose lives have been affected by the lockdown.

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Julie Bennett dies voice actress for Yogi Bear and Spider Man

She lent her voice to the character of Cindy Bear on “The Yogi Bear Show” from 1961 to 1962, and later reprised her character for a 1964 spin-off film titled “Hey There, It’s Yogi Bear”.




Julie Bennett

Los Angeles, April 3 : Julie Bennett, actress who voiced cartoon character Yogi Bear’s love interest has passed away from coronavirus complications. She was 88.

Bennett died at the Cedars-Sinai Medical Center here on March 31, her agent and friend Mark Scroggs confirmed, according to a report in

Bennett started her acting career with on screen appearances in 1950s series like “Adventures of Superman”, “Leave It to Beaver”, “Highway Patrol”, and “The George Burns” and “Gracie Allen Show”, before discovering her talent as a voiceover artist, beginning with 1960’s “The Bullwinkle Show”.

She lent her voice to the character of Cindy Bear on “The Yogi Bear Show” from 1961 to 1962, and later reprised her character for a 1964 spin-off film titled “Hey There, It’s Yogi Bear”.

She continued to voice Cindy in projects, such as “Yogi’s Gang”, “Scooby’s All Star Laff-A-Lympics” in 1977, and “The New Yogi Bear Show” in 1988.

Her other animation credits include names like “The Huckleberry Hound Show”, “The Bugs Bunny Show”, “Mister Magoo”, “The Real Ghostbusters”, and “Spider-Man: The Animated Series”.

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